khulud khamis unpacks the multiple layers of culture, religion, sexuality, politics, feminism and nationalism in the hope of gathering the fragmented pieces of the past and reclaiming the lost contiguity of being Palestinian. – Samah Sabawi, Palestinian playwright and commentator
Maisoon is a Palestinian citizen of Israel, raised as a Christian and in a relationship with a Muslim. Her boyfriend Ziyad wants the tradition-defying Maisoon to commit to their relationship. ‘…For Allah’s sake, Mais, what’s your problem? I want to marry you! I want us to be a real family.’
But the young jewellery designer is determined to find her own path with both Ziyad and her father constantly frustrated with her. Her father, Majid dreams that his only daughter will become a doctor. To Layla his wife, he sighs: “Everything is wrong. Her quitting medical school…and…and…” ” She’s going out with a Muslim!”
Majid has his reasons and these and his carefully hidden past eventually become known to his wilful daughter. In the eyes of Maisoon, her father was the responsible bank clerk who worked overtime most days and always hoped he’d be promoted but wasn’t. He was the meek obedient citizen who knew that he didn’t belong:’Because his name was Majid’. He was of the generation ‘who never dared to raise their heads’- ‘those who grew up under military rule’. Majid wanted a better life for his daughter and disapproved of her working for the Yahudiyya (Jewish) boutique owner…’she could have done better’.
As Maisoon uncovers forgotten papers she is moved by what she learns of her father’s political past. The young Majid had been in love with a Muslim woman and taken part in the armed resistance, resulting in jailtime. He was also a poet.
So today they finally got you.
Last time we smoked nargila together you laughed. You said,
They’ll never get you.
But they did.
You said, ” Who’s interested in a fighter whose weapon is the pencil?”
But they were.
‘Baba, the bank clerk? A poet? Could it be?’ This man, her father who was so angry about her own political activities. The same man who implored her to give up her peace activism: ‘It’s gone, our land is gone, and we are citizens of this state. You can’t bring back the past. It’s dead’.
khulud khamis, unpacks multiple layers in this intriguing novel. The layers are many and concern themselves with those of culture, religion, sexuality, politics, feminism and nationalism. Maisoon lives in a complex world: she is a feminist and peace activist who rails and acts against the gross injustices metered out to those who live in the occupied territories. And as a feminist she wants to live her own life, not the one that her father wants her to lead. She resists a permanent relationship with Ziyad as she explores her sexuality with Shahd. And as she comes to grips with her father’s secret life – a life formed of struggle involving culture, religion and nationalism, ‘the lost contiguity of being Palestinian’ is reclaimed.
Release Date: March 8, 2015